After more than one year after their last vinyl release Dalek I Love Your reappeared with another single(18 September 1983).
Ambition
AmbitionThe A-side was to be included (even if in a slightly different version) on the forthcoming self-titled album, released on 4 November 1983.
Dalek I Love You
1. Holiday in Disneyland [album version]
Dalek I Love You1. Holiday in Disneyland [album version]
2. Horrorscope [album version]
3. Health and Happiness
4. The Mouse That Roared
3. Health and Happiness
4. The Mouse That Roared
5. Dad On Fire
6. Ambition [album version]
7. Lust
8. 12 Hours of Blues
9. Sons of Sahara
10. Africa Express
The Credits read like this: Chuka Russo: backing vocals (6, 8); Chris Hughes: drums (2, 10); Drummie Zeb: drums (8); Gary Barnacle: electric sax (7), sax (8); Randy Taylor: bass (1, 6).
What is most interesting is that for this album Alan Gill (left in the blue picture) decided to share the vocal duties with the other ‘stable’ members of the band: Gordon Hon (on tracks 1, 3 and 5, center in the blue picture),
Keith Hartley (on tracks 2 and 6) and Kenny Peers (on tracks 4, 6, right in the blue picture). Gill only sang on three tracks (7, 8 and10)
By the time the lp was released Hartley quit (in the b/w with David Hughes, ex- member of Dalek I, taken from the back sleeve of the Godot single).
The Credits read like this: Chuka Russo: backing vocals (6, 8); Chris Hughes: drums (2, 10); Drummie Zeb: drums (8); Gary Barnacle: electric sax (7), sax (8); Randy Taylor: bass (1, 6).What is most interesting is that for this album Alan Gill (left in the blue picture) decided to share the vocal duties with the other ‘stable’ members of the band: Gordon Hon (on tracks 1, 3 and 5, center in the blue picture),
Keith Hartley (on tracks 2 and 6) and Kenny Peers (on tracks 4, 6, right in the blue picture). Gill only sang on three tracks (7, 8 and10)By the time the lp was released Hartley quit (in the b/w with David Hughes, ex- member of Dalek I, taken from the back sleeve of the Godot single).
Later the same year the band released their final vinyl release, the single
Horrorscope b/w These Walls We Build Pic Sleeve (7” version) – Heap Big Pow Wow / Horrorscope (instrumental) / The Angel and the Clown (on the 12” version)
Horrorscope b/w These Walls We Build Pic Sleeve (7” version) – Heap Big Pow Wow / Horrorscope (instrumental) / The Angel and the Clown (on the 12” version)Talking about the last days with the band, Gill remembers: “It was a more pressured time than the first album, though. To a large extent, the fun had gone out of it. We were a bigger group at that point, there were more people in the band, and it was our attempt to achieve pop success, even if ultimately we never did well financially.”
“Afterwards, I didn't want to be involved in commercial music again. There was a lot of stress and unhappiness with the business side of things. Put it this way: there was more pressure to be successful than to make a good record. Problem was, we were artists whereas it had become about selling records. We were a bunch of recluses who didn't really want to deal with the world.”
In 1985 Gill contributed two tracks to the soundtrack of Letter to Brezhnev (1985, among which the main theme), and in the same year he established his own label, Bopadub, to release cassette compilations.One of these releases (BOP 04) was (or was supposed to be) a new DILY record, but pieces of information about this are scare and fuzzy. Yet, on the official site of the band (http://www.dalekiloveyou.com/ ) you can find a song taken from that album King of Clowns.
See also:
http://robinparmar.com/dalek-i-love-you.html
http://osamdesete.blogspot.com/
http://burningflame.wordpress.com/
http://medlibrary.org/medwiki/Dalek_I_Love_You
“Afterwards, I didn't want to be involved in commercial music again. There was a lot of stress and unhappiness with the business side of things. Put it this way: there was more pressure to be successful than to make a good record. Problem was, we were artists whereas it had become about selling records. We were a bunch of recluses who didn't really want to deal with the world.”
In 1985 Gill contributed two tracks to the soundtrack of Letter to Brezhnev (1985, among which the main theme), and in the same year he established his own label, Bopadub, to release cassette compilations.One of these releases (BOP 04) was (or was supposed to be) a new DILY record, but pieces of information about this are scare and fuzzy. Yet, on the official site of the band (http://www.dalekiloveyou.com/ ) you can find a song taken from that album King of Clowns.See also:
http://robinparmar.com/dalek-i-love-you.html
http://osamdesete.blogspot.com/
http://burningflame.wordpress.com/
http://medlibrary.org/medwiki/Dalek_I_Love_You

2 commenti:
I am glad you are making information and unreleased tracks available on this site. But still, can I ask you to take down this file? The album has been re-issued and is available cheap with bonus tracks to boot. We need to encourage these sorts of re-issues and posting the music for free does just the opposite.
Just some friendly advice!
This is a vinyl rip, so the quality is not good. Then, I know about the re-release of the album, with the addition of a dub version of '12 hours', which you will not find here.
Yet, if you still suggest I should take this file down, I will.
Looking forward to your reply.
Best
m
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