In December Gill formed the Bop A Dub label in Birkenhead. Actually, it was a cooperative run by Gill and Jill Thompson, who previously worked for Inevitable records. Their manifesto read like this: “Bop A Dub is a co-operative of local musicians and non-musicians alike, who aim to bring music back to life by approaching Pop music from a different angle, a far departure from the typical Merseyside Sound, and a sense of humour so often lacking in modern music. The Bop a Dub label began in December 84 when Dalek I (sic) split (sic) and decided that it was not a good idea to work with Record Companies! They formed a co-operative with some other local musicians, of various experiences”.

- In June 1985 The Art of the Unemployed was released, featuring Dalek’s tracks All Lose Blues and Soldier of Love (both to appear on Naïve)
- In September 19985 D-Beat was released, featuring Garden of Delight, We Have Some Curious Infection, and No Reason (to my best knowledge all unreleased)
- In January 1986 Birkenhead Blues was released, featuring Dalek’s Birkenhead (otherwise unreleased) and Bad Science (later on Naïve).
But, most remarkably in May 1986 Naïve was released, a C90 cassette by Dalek I – the flavour of what could have been the third Dalek’s album.
Here’s the full track-list:
Naïve (1986)
1. Dawn2. Wake Up
3. Into The Lion's Cage
4. Dig For Treasure
5. Shoe Song
6. This Perfect Life
7. All Lose Blues
8. Joe The Turtle Boy
9. Before The Gong
10. Soldier Of Love
11. Dulcetta
12. Osaki Pearls
13. Ridiculous Day
14. The Retailer's Dream
1. Bad Science
2. Little Green Monsters
3. Prince Of Clowns
4. There Is A Destiny
5. African Kings
6. Ad Men
7. Dandelion
8. The Vultures Of Cordoba
9. I Could Fall
10. Joy
11. Sunset
In October of the same year (after the release of Ecce Homo’s and Gardners’ tapes) a fourth cassette compilation was issued.
- Blue Vol. I, featuring Old Salmon Blues, I Use to See No Evil (both otherwise unreleased), and These Walls We Build (b-side to the Horrorscope single 1983).
In a 1986 interview Alan Gill confesses:
“The Liverpool music scene is something I’ve never felt a part of really, I’m a hermit myself & Dalek I have always been a small individual band. I don’t think we wanted success as much as the other bands, we were more into being arty or clever than famous. The whole thing seemed to me like a growing up process. In the beginning everybody was very idealistic & creative, then they were drawn to London and became boring!”
“I’m not really interested in working for a record company anymore, I’m much more interested in producing music that is individual and personal. I’ve always been interested in music not money, to me musci business is about money not music!”
“Dalek I still exists, but at the moment I’m the only member, at the moment I’m looking for singers. So hopefully in a few months the group will be a vocal group (for the next tape)”.
(…famous last words.)
For the Naïve cassette, visit this site:
http://www.dalekiloveyou.com/naive.htm
(For more info visit also: http://www.dalekiloveyou.com/
and the always informative: http://robinparmar.com/dalek-i-love-you.html )

2 commenti:
I think I have a copy of the Ecce Homo tape somewhere, maybe I can get a tecky person to mp3 it. A lot of it features Alan - he plays all the difficult stuff & he recorded all of it.
Quite a lot of the bopadub stuff (including some of Ecce Homo) were originally jams featuring whoever happened to turn up. Alan would edit & overdub the recordings & would turn them into something more interesting. Actually this is how some of Dalek's main stuff began. Holiday in disneyland & Dad on Fire emerged from all night chemically enhanced jams. They were arranged as 'songs' later. The edited Jam recordings & demos were usually more interesting than the finished songs - I think Paul Collister either has them or has access to them.
Its nice to see there are a few people still listening to this stuff. I found this blog via Robin Parmar's site - I wanted to here that Wild Jim recording. I've no idea what it's about but it sort of encapsulates the spirit of the band (in the period between the albums). Most of us lived in the same building which was a huge victorian house unfit for human habitation. There was a lot of drugs (a dealer also lived there) & occasional police raids. We were all on the dole, making music, painting, writing & doing what ever popped into our heads. It was a spirit that was partly killed by our experience of the 'music business', for which, as Alan has said, none of us were equipped for & partly as a consequence of being evicted from the building which was (heavy symbolism) demolished to make way for a bland suburban house.
Bopadub was Alan's attempt to find a new context for that spirit (it can be seen in titles such as "The Art of the Unemployed" & it partly succeeded.
Gordon Hon
Hi Gordon! it's a pleasure and honour to have you on this blog.
whenever you want to check back, you are very welcome.
best
mij
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