sabato 24 marzo 2012

A Secret Liverpool (compilation, 1984) [Re-Up]

The compilation was the brainchild of Carl Davies (former Go-Thongs), released by on his own label Davies Records. ‘The only really known band on the Lp are Expost Facto and the High V, who appear courtesy of Probe Plus’(Breakout, Feb. 1985). The first five hundred copies of this Album only had one side of music contained on them, all the sleeves where hand cut from re-cycled cardboard. The second pressing later became a proper two-sided album with gatefold sleeve and inserts –1000 of which were pressed.

Mike Badger (founder member of La’s and a major contributor in various forms to this compilation, with Lee Mavers in the pic): ‘A lot of people don’t know it was actually funded in part by Carl’s brother, the actor Ian Hart and it did actually remain very much a ‘secret’ until 1996 when a guy from Australia called Terry Banks contacted MOJO magazine because the first ever La’s release a song called ‘ I Don’t Like Hanging Around’ was on side two’.
(see: http://www.whisperinandhollerin.com/chat/chat.asp?id=5294
http://www.geocities.com/the_las/lascratch.html. )

A Secret Liverpool
a1. Unknown Artist: Silence
a2. The Kindergarden Paint Set: Secret Life
a3. Ellagaru: Banana Skin
a4. The Riotous Hues: Lessonless Rainbows
a5. The Harts: Please Believe Me
a6. The Cranes: It's That Expression
a7. Roy Gbiv: The Time Grew Forever
b1. The La's: I Don't Like Hanging
b2. Ex Post Facto: Enchanted Ground
b3. Ellagaru: Mother Mother
b4. The High Five: Turning
b5. The Harts: Near The End Of Love
b6. The Riotous Hues: She Left
b7. The Kindergarden Paint Set: Oh Baby
b8. Esprit!: For You
b9. Holiday For Strings: The Greatest Myth

The opening track was three minutes of complete silence (the ‘empty’ mp3 file is not included in the folder). Mike Badger recalls: ‘In the tradition of Crass and John Cage, the opening track was three minutes of silence, though that just confused people.’
(see also: http://www.mikebadger.co.uk/musicdisc.htm )

Kindergarden Paint Set: First musical venture of Mike Badger, whose life span was between 1981-1982. At the time defined as Bananarama imitators (for no apparent reason). Mike Badger featured on percussion on both tracks of the album, recalls: ‘It was my first real musical venture,” admits Mike. “3 guys and 3 girls doing a kind of Rip, Rig & Panic-style percussive, Doo-wop thing, mainly students, who decided to remain students and get proper work. I cried like a little whipped pup when it broke up and moved to London for 18 months in May 1983. During KPS’ lifetime, Roger Eagle got us some gigs at the Adams Club (Eagle’s post-Eric’s venue) with The Frantic Elevators (Mick Hucknall’s pre-Simply Red art-rock outfit – Ed). All in all, it was a case of youthful exuberance versus harsh reality!’
(see: http://www.whisperinandhollerin.com/chat/chat.asp?id=5294 )
(see also: http://www.mikebadger.co.uk/musicdisc.htm )

Harts: Under this name Carl Davies (of Davies Records) recorded two songs for this album, and insisted that they should be released backwards.

La’s: The tracks on this compilation were by the first line-up of La’s, featuring Mike Badgers. Actually, the number I Don't like Hanging Around is Mike Badger with backing band the Modernaires performing a two minute ramshackle swing. Lee Mavers (bass-player with Neuklon) joined the group soon after the release of this compilation. A drummer, Tony Russell and a bassist were recruited and the band started playing parties and local pubs.
(see also: http://www.link2wales.co.uk/lpool/las.htm
http://www.geocities.com/the_las/lascratch.html.)

Roy Gbiv: Under this pseudonym, the song is Mike Badgers (later La’s) first official release on vinyl. Badgers describes the song as ‘a poem set to ‘The Syncopated Clock’ by Leroy Anderson played at 45rpm instead of 33rpm – Alice in Wonderland territory’.
(see: http://www.whisperinandhollerin.com/chat/chat.asp?id=5294 )

Esprit!: Originally called Carnaval, the band included Kevin Wright (vocals, guitars), Steve Boyle (guitars, vocals, later with Honey), Ian Fradgley (bass player, later with Tony Velasco, ex Carry On Spying), Mike Ward (drums), and Paul Roberts (sax). Boyle’s remembers: ‘For some reason, Kevin – who was Paul Simpson’s cousin (Wild Swans) didn’t want to use the name Carnaval on the compilation LP and also we used just about the worst song we had. The guy pulling together the LP, David something [Carl Davies, ndr.], was a mate of Kevin’s so we went along with this. We should have put a good song on as over the years I have discussed this LP with a variety of people and I sold my spare copy to a bloke in Japan a few years back.’ The band, after recording three Radio One sessions, split just before a showcase gig at Kirklands because of a row over the potential use of a drum machine. Nathan McGeogh was their manager for a month. Julie (sax) who replaced Paul Roberts who went off to art college was the girlfriend of now famous Liverpudlian actor Ian Hart.
(see: http://link2wales.co.uk/liverpool/liverpool-a/liverpool-h/ )

Cranes: Pop band fronted by Carl Reynolds (vocals).

Holidays fro Strings: Power-pop group formed in 1983 by Andrew Schofield (vocals, later featured on the soundtrack of the BBC thriller serial Marksmen), Jimmy Hughes (drums, former Madame, later Foundation), Jay Naughton (keyboard, later Jojo & the Real People).

Riotous Hues also appeared on the Elegance, Charm and Deadly Danger compilation (1985, see relevant post). (For Ex Post Fact and High Five, see relevant posts.)
 
 

venerdì 24 febbraio 2012

The Jactars (aka The Jacktars) - Peel Session (1989)


On October 19th 1989, the Jactars gathered in Maida Vale Studios to record a Radio One Peel Session, with Mike Walter engineering and Dale Griffin (drummer from Mot the Hoople) producing. The like-up included Ian Travis (aka Trav, guitar and vocals, former Culture Disaster, Zyloids, Crompton Vest Band, Jades), Dave Morgan (bass and rhythm guitars, former Culture Disaster, later Barbel), Huw Williams (drums, with Crikey! It’s The Cromptons, later The Big I Am), while Tony Lonorgan (aka Tog, bass, keyboards, former Pieces of Glass, La Voix Celesté) was replaced by Peter McPartland (guitars, ex Third Man, now Rash).
Lonorgan, about the Peel session, remembers:
‘I'm not on it, still good though! I'd left to form the bleepy and spectacularly unsuccessful pink fish quartet by then (pink fish media was the name of our promotion / bullshitting company, I just kept using it).’
About recording with Dale Griffin, McPartland recalls:
‘I played on the session it was 'produced' by the drummer from Mot the Hoople :-) Interesting production he came in shook out hands, went the boozer and came back when it was all over and said sounds great lads. We christened the studio 'made of ale' after that. […] [A] nice fella indeed but I got the sense we were not his cup of tea. Pleasant enough though. Think there were two or maybe even 3 engineers on at the time so we were in safe hands. Experimenting with digital recording at the time. I asked to be dropped in at a point and they just laughed in my face’
Besides the title track of their Mini LP, the Jactars performed three unreleased songs.

Peel Session (1989)
- Pull The Plug
- Flower Powder
- Millions Of Grains
- Things Not Seen

The session, wrongly credited to the Jacktars, was aired November 20th, 1989.


(Thank you, you know who you are…)

giovedì 16 febbraio 2012

The Jactars - Pull the Pulg (1989)


The Jactars − Ian Travis (aka Trav, guitar and vocals, former Culture Disaster, Zyloids, Crompton Vest Band, Jades), Dave Morgan (bass and rhythm guitars, former Culture Disaster, later Barbel), Tony Lonorgan (aka Tog, bass, keyboards, former Pieces of Glass, La Voix Celesté) and Huw Williams (drums, with Crikey! It’s The Cromptons, later The Big I Am), released their first LP in 1989. This was an 8 track 45 rpm mini album of which only 500 were pressed

Pull the Plug (1989)
A1 Pull The Plug
A2 Matter To Make
A3 Deepest Respect
A4 Grab
B1 Shrink
B2 Hive
B3 Boney Backside
B4 I'm Round



venerdì 3 febbraio 2012

The Jactars - Wadlow (1987)

The Jactars were a Wirrall-based band (then moved to Liverpool city centre) formed in 1984 and consisting of Ian Travis (aka Trav, guitar and vocals, former Culture Disaster, Zyloids, Crompton Vest Band, Jades), Dave Morgan (bass and rhythm guitars, former Culture Disaster, later Barbel), Tony Lonorgan (aka Tog, bass, keyboards, former Pieces of Glass, La Voix Celesté) and Gary (drums, Culture Disaster, Raiders of Discord, Zyloids, Crompton Vest Band, Sunrise Sa Blues, Jades).

The original nucleus of the Jactars was already there in Culture Disaster (Trav, Morgan, Gary), a punk act formed in 1979 and fell apart one year later, but it’s only after a period of musical self indulgence and experimentation, with the Zyloids, Crompton Vest Band and Jades (all three groups including Tony ‘Crompton Vest’ Brown, later of Crickey! It’s the Cromptons) that their music developed into a consistent and solid style. The Jades became the Jactars when Brown was replaced by Tog, in 1985. This line-up recorded a couple of demos between 1985 and 1987, at Vulcan Studios (recording songs like Forced to Violence, To My Toes, Things not Seen, Break to Skin, That Sound, No Fair Catch, Deepest Respect, most of which remain unreleased), and provided the song Tadpole for the Vulcan compilation Ways to Wear Coats (1986, see relevant post).

The Jactars gigged quite consistently on the Merseyside, mostly supporting or supported by Crickey! It’s the Cromptons, or other Vulcan bands.
The Melody Maker reviewed one of the band gigs (possibly with the Cromptons) as follows:
‘The Jactars are less quirky but just as individual, musically. As individual themselves, though, they don’t matter because this is the sort of music that takes over. Literate words make real songs while the guitars and drums seem to be working in unison and the keyboards add their own comment. The result is single-minded direct and impressive’ (Penny Kiley, September 1986)

During some live shows Gary was replaced by Huw Williams (drummer with Crikey! It’s The Cromptons, later The Big I Am), who became a full member in 1987. This new line up recorded the band’s first single Wadlow (1987)

Wadlow (1987)
- The tallest Man
- Matter to Make
- Tongue

The life, music, aesthetics, ethics etc. of the Jactars original line up (Trav, Morgan, Gary and Tog) is thoroughly discussed in Sara Cohen’s Rock Culture in Liverpool (1991).




(Thanks to our friend Roger)

Liverpool 08 - BBC Documentary - Pt 5



- Echo and the Bunnymen
- KLF
- Lighning Seeds
- Dead or Alive

domenica 29 gennaio 2012

Liverpool 08 - BBC Documentary - Pt 4



- OMD
- Holly
- Frankie Goes to Hollywood

martedì 24 gennaio 2012

Liverpool 08 - BBC Documentary - Pt 3



- Echo and the Bunnymen
- Teardrop Explodes
- Julian Cope
- Wah!
- Pete Wylie
- Dead or Alive