domenica 7 novembre 2010

The Rain (1982)

Not to be confused with another Liverpool band of the same name (active in 1987-93), The Rain are the four members of Europe after the Rain - Kate Tate (vocals), Andy Sage (guitars), Mark Tinka (keyboards) and Mike Doran (drums, later Surface Tension, Electric Morning) – plus Tadzio Jodlowski (guitar, later Pink Industry).

This is how Breakout Magazine #10 (June 1982) described the band:

‘The Rain (formerly Europe after the Rain) are a comparatively new band on the Merseyside music scene, having been formed in November of the last year by Andy and sing Kate Tate. To date they have played only three gigs and received airplay from John Peel.

‘I asked Andy about the content of their music. “There’s quite a lot of funk in the set and some psychedelia. Both are city music, we feel like we’re city music – psychedelia covers the mass of influences that you get from the city, the funk is the jungle rhythm of the city. This music wouldn’t come from the countryside. It’s also got a romantic edge to it because Liverpool’s a very romantic place. For example, in Manchester the recent fashions have been severe and industrial, like A Certain Ratio with those high shaven heads. Here, it’s very decadent and romantic, back-combed hair and so on, like Katie.

‘The songs are mainly about love and the things that go on in your personal life, it’s very moody stuff. I’ll come along with some words or a vision of some music, a basic plan and we will draw an arrangement out of it. Writing a song is like creating a seed and the best arrangement for that song lies within it. It’s not like you add things on to it, they come from within. Something will happen to me and I’ll magnify it, get melodramatic. Often you feel things more intensely than is real,a nd you should express such feelings.”

‘Music and fashion have never been far apart from each other. Music has both crated the fashions of the day and been created by them. For many musicians fashion takes a back seat, for some it is what draws attention to their music, but there are few bands that regard music and fashion as having equal importance.

‘The Rain fit comfortably in the latter category, a group of people for whom music and fashion are motivated by the same thing. Guitarist and songwriter Andy Sage explains:
“Fashion’s really important and the same attitude that goes into music goes into fashion. Music is as much of an expression as clothes are. If you see anyone around Liverpool who looks really good or different, odds-on they’re in a band – often it’s not because of the band that they’re dressed up but because it’s the best outlet. A lot of people think that fashion is frivolous or dismiss it as vanity but it’s an attitude, you’re taking care of yourself – if you are looking good it shows that you are alert, active, wanting to do something. It’s like adrenalin, like rock’n’roll is.”

‘The band’s keyboard player, Mark Tinka (who since this interview was done has returned to his hometown of London) has a slightly different view of things – “It’s entertainment that is central to why I like playing and the same is true of getting dressed up and walking down the street. You are then entertaining people by the way you are. That’s what the café is about, for me, the café’s about entertainment as well. Those are the things that I feel I an do best in order to entertain other people and myself.”

‘The Café is the Open Mouth Café in Whitechapel, the band’s base and where they rehearse in the evenings. Andy and Mike, The Rain’s drummer both work there, so it’s important as a social base as well.”’

No recording by this band.

Europe after the Rain (1980-82)

Kate Tate (vocals), Andy Sage (guitars), Mark Tinka (keyboards) and Mike Doran (drums, later Surface Tension, Electric Morning) had been playing together since 1980, but came together as a band under the name Europe after the Rain at the very end of 1981. Most probably the band was named after the opening track of John Foxx’s Ep The Garden, released in September 1981.
Europe after the Rain played their first gig in February 1982.

This is how Breakout Magazine review the show:
‘They played an adequately long set and at a volume that made them very comfortable to listen to, generating a mellow, pensive atmosphere.
‘Their songs are about people and their situations, politically motivated but not political in themselves.
‘Continuity is provided by the keyboards and soft basslines, punctuation from the drums, intense droning vocals and the occasional rythm (sic) guitar. There is no bass in the band, the guitar being used both for bass and rythm (sic) parts.
‘The overall effect is controlled, intense and melancholy but melodic music. Worth trying to get to see.’

No recording has survived of the band, which by the end of 1982 turned into The Rain.

sabato 30 ottobre 2010

Jah Scouse

Jah Scouse (a.k.a. Ian Kay), Liverpool toaster, who collaborated and toured Europe with Young Marble Giants. The band (and more precisely, brothers Stuart and Philip Moxham) backed him on Jah Scouse first (and for a long time only) vinyl release in 1984, Better Things, produced by Phil Legg (Essential Logic). The 7” contained two numbers, and notably Merge (backed with Vegan Mix, which also featured Charles Bullen (This Heat)).

giovedì 14 ottobre 2010

The Shake - Peel session (1979)

The official debut for Troy Tate with the Shake (Jo Callis, Simon Templar, Angel Patterson) was for a Peel Session. Recorded at Maida Vale Studio on April 23rd 1979, with Cris Lycett producing and Dave Dade and Martyn Parker engineering, the session was aired on April 30th and featured:

Peel Session (April 1979)
- (But) Not Mine
- Glasshouse
- Night by Night
- Teenbeat

The first two numbers appeared on the Shake’s first Ep, Nigh by Night was to be the b-side of the upcoming single.

shake peel

(see also: http://www.bbc.co.uk/radio1/johnpeel/sessions/1970s/1979/Apr23shake/ )

The Shake (1979-1980)

Band formed by ex-Rezillos Jo (a.k.a John) Callis (guitars, later Boots for Dancing, Human League, and, as a solo artist in-between bands, recorded the Ep Woah Yeah in 1981), Simon Templar (bass, later Flowers, Boots for Dancing) and Angel (a.k.a. Ali) Patterson (drums, later Boots for Dancing, TV21 and Troy Tate Band). Shake released an Ep in July 1979:

Culture Shock (1979)
- Culture Shock
- (But) Not mine
- Glasshouse
- Dream on

Troy Tate was added to the line-up (guitar, vocals, former Index, later Teardrop Explodes, Troy Tate Band). This line-up released the band’s second single in February 1980:

Invasion of the Gamma Men (1980)
- Invasion of the Gamma Men
- Night by Night

.
Shortly after the release of the single Tate was suggested by Bill Drummond to Julian Cope as a replacement for Alan Gill leaving the Teardrop Explodes. This is Cope’s recollection of the audition:
‘Troy Tate was great looking. He was dark haired and a little older than us. When he walked into the rehearsal room, he walked up to me, and said, ‘Hi, baby.’ I like him at once. We made a racket and he clanged his guitar the way I liked, so he was in. Within the week, we were firm friends.’ (Heads On, 107)

The Index (1977-79)

Cheltenham-based band with a short life (early 1977, early 1979) featuring Liverpool born Troy Tate (guitar, vocals, later Shake, Teardrop Explodes, Troy Tate bad), Russell Elliott (bass) and Dave Hough (drums).
The Index release their first and only single in June 1978:


Jet Leg (1978)
- Jet Leg
- Total Bland



index

domenica 26 settembre 2010

The Language (1982-1985)

Language were a Wallasey-based band playing westcoast rock. The original nucleus formed in 1982 and included Dean Johnson (guitars, vocals) and Pete Hunt (bass), which was enlarged in 1983 with the recruiting of Graham Todd (keyboards). And Andy Golbourne (drums). Hunt then quit to be replaced by Gareth Edwards (bass). In 1984 Language released the cassette-ep Live at the Cavern (recorded lev on July 18th, 1984 and featuing Powergame, The Same Door, Deliver us, Down by the River), which became a favourite in the Merseyside area. So much so that in October of the same year Radio Luxembourg voted Language as ‘best newcomer’. In early 1985 Golbourne left and was replaced by Barry Hilton (former Instant Agony). Todd and Edwards were the next to leave and Martin Lavery was added to the line-up on bass. In 1985 the band toured as support act of Dr & The Medics but split up before the end of the year.
In 1987 Johnson formed his outfit Dean Johnson and the British Invasion and later, with Martin Lavery the jazz-influenced The Cocoa Room.

More info and audio files can be found at the band’s myspace page: