giovedì 12 giugno 2008

Thunderboots - I Remeber Lucy (1978)

Four-piece rock band including brothers Mark Parry (on drums) (later Ellery Bop, Western Promise, Ministry of Love, Steppin’ Razor) and Paul Parry (on bass) (later Steppin’ Razor). Other members, at various times were J. Johnson, Anderw Wilson, McCusker, Andy de Foxx (later Touch). To Parry, Johnson, Wilson and McCusker is credited to group only (?) single:



I Remember Lucy (1978)
a. I Remember Lucy
b. You Should Know Better


Our friend Woody writes: 'I was there! I knew their soundman Jimmy M. Used to live down the street from me in Knowsley Village. His van broke down and he borrowed ours to ferry the gear around we helped - roadies without pay. Our reward was the music. Great times had by all. Whispers wine bar in Bold street, The Star & Garter. Fantastic'
(Thanks Woody)

thunderboots

domenica 8 giugno 2008

Pressure Drop

Punk act originally formed as a five-piece in 1983 by Mark Hodgekiss (aka Hoddy, vocals), David Ball (bass), David Austin (drums), Tony Turner (guitar) and Warren Peacock (guitar, who left in 1983, after the band’s first single). Named after one of the early Clash songs, this influence is easily perceivably.
The Pressure Drop recorded and released two singles:

From Here to Eternity (1983)
1. From Here to Eternity
2. Navy Blue



Daddy Buy Me a Rifle (1984)
1. Daddy Buy Me a Rifle
2. Guinea Pigs


The a-side to the latter single will also appear on the compilation Jobs for the Boys (1985)

Pressure drop

sabato 7 giugno 2008

The System - The System Is Murder (1983)

After the fist EP, warfare (see post below), the System started planning their first full length. But the band split before the LP was released. An EP containing four of the songs recorded was released in 1983

The System Is Murder (1983)
a1 - Undercover Agent For The S.A.S.
a2 - Let's Be Free
b1 - Born To Lose
b2 - Identity

The System - Warfare (1982)

Utterly obscure Wigan based punk rock act. The line-up included Jan Commode (vocals), Andy Atom (guitar), Jimi Jerkoff (bass) and Spider (drums).
In January 1982 they record their first EP at Southern Studios, London, then released in June of the same year.

Warfare (1982)
a. Dogs of War (written in Mar. 1979)
b1. Their Corrupting Ways (written in Nov. 1981)
b2. Nervous Breakdown (written in Nov. 1981)


system

lunedì 2 giugno 2008

Teardrop Explodes (Julian Cope) - Screaming Secrets (demo, live, alt. versions)

Bootleg credited to Julian Cope but including demo and live versions of songs written and performed during the Teardrop days. Vinyl rip. Good Collection. Poor quality.

Screaming Secrets
01. Larceny (Acapulco version)
02. Blaze Star (instrumental demo)
03. Flipped Out on LSD (excerpt)
04. Ha Ha I'm Drowning (Peel Session, 2 Oct. 1979)
05. Hanging Around for Years (Skinner Session, 20 Nov. 1981)
06. Log Cabin (demo)
07. My Indifference (Jensen Session, 8 July 1982)
08. Screaming Secrets (live, May 1981)
09. Straight Rain (I Could Strangle Pete Wylie) (live, 17 Sept. 1979)
10. Suffocate (live, May 1981)
11. Suffocate (alt. version)
12. The Butcher's Tale (instrumental demo)
13. The Great Dominions (Skinner Session, 20 Nov. 1981)
14. The Loving Kind (Skinner Session, 6 May 81)
15. Tiny Children (demo)
16. You Better Scream (Skinner Session, 17 Aug. 1981)
17. You Disappear From View (Jensen Session, 8 July 1982)

domenica 25 maggio 2008

Bill Drummond - The Man (1986)

When Pete De Freitas ‘lost it’ in New Orleans, spending his time not-eating, not-sleeping, speeding with cars and motorcycles high on LSD and alcohol, Bill Drummond – in charge of the Bunnymen as the band’s manager – concerned about De Freitas’ madness, flew over to The Big Easy to check on the drummer. Instead of annoyance or concern, Drummond felt inspiration.
“He was literally king of the world out there, calling himself ‘Mad Louis’, living this extraordinary dissolute lifestyle straight out of a Jack Kerouac novel in which anything was possible. […] The experience changed my life. I thought to myself ‘Is this what rock’n’roll is really all about?’ I started seeing things in a different light and when I came back I chucked my job in the mainstream music business and decided to record my own album, which was something I’d been vaguely thinking about for some time. There was even a track on it called Ballad for a Sex God, which was my ‘thank you’ to Pete. I wanted him to produce it, but he felt that he couldn’t” (1989).

In July 1986, on his 33 and a third birthday, Drummond repented his corporate involvement and resigned his job, stating: "I will be 33.5 (sic) years old in September, a time for a revolution in my life. There is a mountain to climb the hard way, and I want to see the world from the top..."
Later in the year, Drummond issued a solo album, The Man, a country/folk music recording, backed by members of The Triffids and of Voice of the Beehive.

The Man (1986)
a1. True To The Trail
a2. Ballad For A Sex God
a3. Julian Cope Is Dead
a4. I Want That Girl
a5. Going Back
b1. Queen Of The South
b2. I Believe In Rock And Roll
b3. Married Man
b4. I'm The King Of Joy
b5. Son Of A Preacher Man
b6. Such A Parcel Of Rogues In A Nation

(All songs written by Bill Drummond except Going Back (Goffin / King ) and Such A Parcel Of Rogues In A Nation (words by Robert Burns, music traditional)).

The album was perhaps most notable for the sardonic Julian Cope Is Dead, where he fantasizes about shooting the Teardrop Explodes frontman in the head to ensure the band's early demise and subsequent legendary status. The song has commonly been seen as a reply to Cope’s song Bill Drummond Said.
The album represents the symbolic closure of an era: the man who invented the Liverpool post-punk music scene – forming Big in Japan, managing the Bunnymen, the Teardrops and many other acts through Zoo Records – now fixes its natural end by refusing the ‘big drums, major guitar chords’ aesthetics of the time (adopted by The Room, Wild Swans mk II, Cook Da Books, etc.) and going back to traditional standards (country and folk).

The man

(Info from, Chris Adams, Turquoise Days, and at http://en.wikipedia.org/wiki/The_Man_(album) )

sabato 24 maggio 2008

The Balcony Dogs (Sex Gods) - Trip (1988)

By 1985 the Liverpool scene was quite stale. Music creators and consumers alike felt the need of "something fresh to liven up the Liverpool music scene" (Blast Off, Feb. 1988). The Sex Gods, in the mind of their founder members, were probably meant to fill this creative gap.
The original Sex Gods started off in late 1985 / early 1986 as a vague idea of fun born out of the disillusionment Pete De Freitas resented from the whole Bunnymen’s experience. The nucleus was formed by De Freitas himself, Tim Whittaker (ex Deaf School, Pink Military, Lori & the Chameleons, Gale Force), and Jake Brockman, in the Bunnymen’s rehearsal room. When the tension within the band exploded, De Freitas flew to New Orleand (pictures on the left), taking along the Bunnymen road crew of Tim Whittaker, Andy Eastwood (ex Crash Course, The Eye Of…), Steve ‘Johnno’ Johnson (ex Wah! Heat, a.k.a. Johnny Cult, ex Ellery Bop), plus Tim O’Shea (of Send No Flowers). The whole idea of the trip to New Orleans, in De Freitas’ words (1986) was the need “to get away on holiday and come back with more than just memories having spent a lot of money and very big hangovers [but rather] with something positive”. The idea was to work “totally off chance” and was partly inspired by the film The Dice Man, a culty lunatic semi-religion called Bokanism, and the weird notion of “the duck” – which stood for anything which is ridiculous, insane and irrational.
The band was occasionally joined by the Bunnymen’s on the road guitarist Mike Mooney (later Spiritualized) and sax player Mars Williams (Psychedelic Furs). This flexible line-up hung out, occasionally worked on songs, and allegedly documented the whole experience on super 8 film and in a book called The Godlogs.
In fact, the trip turned out to be less inspiring than planned, and all about not eating, not sleeping, ingesting vast quantities of LSD and alcohol, and crashing cars and motorcycles.
Mars Williams remembers that: “[De Freitas] was singing, and also decided that he wa going to play guitar. We rehearsed a bit in the house, wrote and worked on songs, and then we went into the studio and recorded some of it. The thing that was really bad about the band was that Pete should’ve been playing drums, because he was a great drummer, and the guy that was playing drums [Whittaker] wasn’t. And Pete was not a good guitarist, so who knows what he was trying to do. It was more like Pete’s friends hanging out” (1998).
As De Freitas’ finance dwindle, members of the Sex Gods begun drifting home one-by-one, each expressing concerns about De Freitas’ mental health.
Back in Liverpool, Whittaker left the band and De Freitas moved to the drumming stool, occasionally bringing in his brother Frank (Woodentops) on bass. During the summer the band recorded some songs inRockfield, but this line-up wouldn’t last for long: by the end of 1986 the Sex Gods lost both founder members, as De Freitas rejoined the Bunnymen for good.
New members Eastwood (on vocals) and Johnson (on guitar) were joined by Mooney, first on bass, than on guitar, by Gary Dwyer (ex Teardrop Explodes, at the time occasionally playing with Black) on drus, and by Carl Washington (ex Wah!) on bass. Because of all these names and connections the band gained a cult status even before having released anything.
Only much later the band, signed to Island recorded, and after a couple of singles, the band collected all their material onto an Lp. The record company refused to release an album under the name of Sex Gods and the band opted for Balcony Dogs (taken from one of their songs), while the album was titled Trip (possibly referred to the experience/s in New Orleans that got things going)

Balcony Dogs - The Trip (1988)
1. Fluency 3
2. Wheel of Fortune
3. Good Little, Bad Little
4. Shot to Earth
5. Drug Planet #7
6. Balcony Dog
7. Charlene's Dream
8. Rings of Saturn
9. Underworld

After the split of the Balcony Dogs, many of the members joined the Divine Thunderbolt, formed by Tim Whittaker, featuring Jake Brokman, Andy Eastwood (vocals), Kate Milner (vocals), and at some point Pete and Frank De Freitas and Mike Mooney

Balcony dogs

(All quotations from Chris Adams’ Turquoise Days)