mercoledì 23 gennaio 2008

It's Immaterial - 1985-1986

In 1983 Campbell, Whitehead, Priestman shared a flat in Liverpool, around Sefton Park, “signed the dole every second Thursday, [hung] around in cafes where they read the music weeklies and despair at the success of their rivals. […] At 1983’s Larks In The Park show, which also featured the budding Frankie Goes To Hollywood, [Priestman]’d been impressed by an a cappella act called The Christians. At irst he arranged for them to add their vocals to It’s Immaterial’s music, but them became a full-time Christian himself” (Du Noyer 2004). Between the start of 1985 and 1986 the two-piece Immaterial released their last pre-album records, the Ep Fish Waltz (March 1985), and the singles Ed's Funky Diner (October 1986) and Driving Away From Home (March 1986).

Fish Waltz (1985):
1. The Better Idea (Push the Boat Out)
2. Several Brothers
3. Lullaby
4. Fish Waltz


Ed's Funky Diner (1985)
- Ed's Funky Diner
- Washing the Air



Driving Away From Home (1986)
- Driving Away From Home (Jim's Tune)
- Trains, Boats, Planes


The a-sides of the three singles were then to appear to the band's 1986 lp Life Is Hard Anf Then you Die.


link

domenica 13 gennaio 2008

Wah! - Part 2 (1982-1983)

In April 1982, under the altered name of Shambeko! Say Wah!, Wylie’s group released the single ‘Remember’ (the b-side features Alan 'Pops' Peters on trumpet)

Remember (7”)
a. Remember
b. A Crack Is A Crack (Theme From "Square One")


In May 1982, under the same pseudonym, Pete Wylie (Guitar, Vocals), ‘Oddball’ Washington (Bass, Backing Vocals), King Bluff (Keyboards) and ‘Jungle Beat’ Joe Musker recorded their third Peel session. The tracklist for that session included original material (among which a sung version of ‘A Crack Is A Crack’, appeared in its instrumental version on the b-side of the band’s latest single) and the reworking of traditional songs (eg. You’ll Never Walk Alone/Again”):
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Peel Session (1982)
- You'll Never Walk Alone
- Papa Crak
- Satie's Faction
- 8.00-8.30 Or 10.00 'til 12.00
- You'll Never Walk Again

In November of the same year another single was released: ‘The Story of the Blues’. The 7” version features ‘The Story of the Blues (Part One)’ b/w ‘The Story of the Blues (Part Two)’ , whereas the 12” version featured a longer version of the song ‘The Story Of The Blues (Part One and Part Two) Talkin' Blues’ b/w a live version of ‘Seven Minutes to Midnight’. In the folder you’ll find the a-side of both versions of the single:

- The Story of the Blues (Part One)
- The Story Of The Blues (Part One and Part Two) Talkin' Blues’
.
By the beginning of the new year the band went through a phase of drastic personnel reorganization: Musker was fired and Joy Naughton recruited on keyboards. The band next Peel session is an evidence of this turmoil: in February 1983, Wylie, Washington, together with ‘old’ King Bluff and ‘new’ Jay Naughton (on Piano), Ruby and Sylvie (of Sylvia and the Sapphires on Backing Vocal) and an uncredited drummer (possibly Chris Joyce), performed their upcoming single and b-side, plus two other original tracks:
.
Peel Session (1983)
- Hope (I Wish You'd Believe Me)
- Sleep (Lullaby For Josie)
- Year Of Decision
- Silver And Gold

In March 1983, Wah!’s line-up became definitive: King Bluff was definitely out of the picture, Chris Joyce (ex Durutti Column, later Simply Red) was recruited on drums, Naughton and Charlie ‘Gruff’ Griffiths (ex Pink Military) on keyboards. With Ruby and Sylvia on backing vocals, the group released their last single under this name, before transforming into The Mighy Wah!

Hope (7” version)
a. Hope (I Wish You'd Believe Me)
b. Sleep (A Lullaby for Josie)

Wah 2

domenica 30 dicembre 2007

Alternative Radio - Early Recordings (1982-1984)

Alternative Radio were born from the ashes of Buster (1974-1977) ─ featuring Pete Leay (vocals and lead guitar), Rob Fennah (vocals, rhythm guitar), Kevin Roberts (vocals, bass) and Les Brians (drums) ─ a quite successful act (especially in Japan) mostly targeted at a teenage audience. After the split of Buster (and a couple of years of Fennah’s attempts in various musical directions) in 1981 Fennah, Brians (a.k.a. Les Smith) and Roberts were joined by Dave Knowles on keyboards and formed a new band, Alternative Radio, after the title of one of their first songs. In 1982 they won the 1982 edition of 'Battle of the Bands', held at the Empire Theatre in Liverpool, whose panel of judges included, among various MM and NME journalists, Noddy Holder (Slade), Mick Karn (Japan), Roy Wood (The Move & Wizard), Angie Bowie (check the live version of ‘Foreign Countries’ recorded live at Granada TV studios a few days after the competition). In February of the same AR came out with their first vinyl release, the self-titled ep AR.


Alternative Radio (1982)
a. Alternative Radio
b1. I'm Fallin'
b2. Foreign Countries

After the ep, the band went through a period of line-up adjustments. By the end of 1982 Roberts was replaced on bass by Rob Fennah’s brother’s Alan, who was soon to move on to drums and percussion when, in 1983, bass duty were taken up by Steve Barratt (a.k.a. Barrett). This line-up recorded and released the band next single, Valley of Evergreen, in February 1984.


Valley of Evergreen (1984)
a. Valley of Evergreen
b. What a Dream


After this single, Alternative Radio became very much a label for the Fennah brothers, who, with the collaboration of several players released their first lp in 1985 and continue to produce and play music to these days.
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giovedì 27 dicembre 2007

Wah! - Part 1 (1980-1981)

After the release of the second single, and the departure of guitarist Redmond, Pete Wylie decided to reshape the group as a four-piece – featuring Wylie (Guitar, Vocals), Washington (Bass), King Bluff (Keyboards) and Joe Musker (Drums, ex Dead or Alive) – shortened the name to Wah! And started working on a long player vinyl release. With the album on the way, Wah! recorded their first Radio One BBC Session in March 1981:


Peel Session (broadcast: 14/04/1981)
- Sleep
- The Checkmate Syndrome
- Cut Out
- Forget The Down

In June of the same year the album Nah Poo! The Art Of Bluff came out. Apparently the title has to do with the fact that the keyboardist King Bluff – not originally intended as a stable member of the band – managed to bluff his way into the group.


Nah Poo! The Art Of Bluff (1981)

1. The Wind Up
2. Otherboys
3. Why D'You Imitate the Cutout?
4. Mission Impossible
5. Somesay
6. The Seven Thousand Names of Wah!
7. Sleepp
8. Seven Minutes To Midnight
9. The Death of Wah!

To promote the album in the summer of the same year a couple of singles were released

Forget The Down (July 1981)
a. Forget The Down
b. The Checkmate Syndrome

Somesay (September 1981)
a. Somesay
b. Forget The Down (this time)

The A side was on their debut album, Nah = Poo - The Art Of Bluff (though the single was a re-recorded version of the song). The B side was a non-LP track but had previously been released as an A side.

Wah!

venerdì 21 dicembre 2007

Wah! Heat

Peter Wylie began his musical career in 1977 as a guitarist for the Crucial Three (with Julian Cope and Ian McCulloch), served a couple of month (Sept-Nov 1977) in the Mystery Girls (with Cope, Peter Burns and Phil Hurts), then Nova Mob (Dec. 1977 - May 1978, with Cope, Budgie and Pete Griffiths). When Cope joined McCulloch in Shallow Madness, Wylie formed the Opium Eaters with Budgie, Ian Broudie, Paul Rutherford (Sept. 1978), then the Crash Course (Dec. 1978 - Jan 1979, with Mick Reid, Andy Eastwood Paul Cunningham and Rob Jones). Wah Heat! eventually formed in February 1979, with Wylie on vocals and guitars, Rob Jones on drums and Colin Williams on bass, soon to be replaced by Pete ‘Kid’ Younger (ex Those Naughty Lumps). The three-piece act recorded their first single, then released in February 1980:

Better Scream (1979/1980)
a. Better Scream
b. Hey! Disco Joe

After the single the band went through a series of line-up adjustments: Younger left to be replaced by Carl Washington (a.k.a. Washing-Ton, Oddball Washington, who became Wylie's right-hand man), Colm Redmond (ex Psychamesh) joined on guitars, and King (Ken) Bluff (a.k.a. J.J. Tyler, K.J. Tyrer) assisted on occasions on keyboards. In May 1980 the five-piece line-up recorded their first Peel session, performing their upcoming single plus b-side, and, curiously enough, the first version of future single, to appear in 1981 (Somesay):

Peel Session (Recorded: 19/05/1980 - Broadcast: 10/06/1960)
- Other Boys
- Don't Step On The Cracks
- Somesay
- Seven Minutes To Midnight

The band started gigging in the Liverpool-Manchester area, often supporting arch-rivals Pink Military (too experimental and artsy in contrast to the band’s aggressive and basic rock approach). During the recording session for their next single, it became clear what was to be the guitar player’s role in the band: to play live, but not on records. On this basis Redmond quit the band and, after a short period with Faction, became a full-time member of the Pink Military by the time Wah! Heat’s second single was released in September 1980 – credited to Wylie, Washington, Jonie (plus King Bluff):

Seven Minutes To Midnight (Sept. 1980)
a. Seven Minutes To Midnight … to be Continued
b. Don't Step On The Cracks

Wah! Heat

(pictures copyright of the author)
(see also www.minimal-wave.org/site/modules.php?name=topMusic&op=artist&idartist=158 )

mercoledì 19 dicembre 2007

It's Immaterial - Early Recordings (1980-1984)

It’s Immaterial grew out of the diminishing Yacths. In fact, John Campbell (vocals) left the group in 1978, followed by Martin Dempsey (guitars) in 1980. While Dempsey became a member of Pink Military, Campbell teamed up with Jarvis Whitehead (vocals, keyboards) and founded It's Immaterial. Yachts finally split up in 1981, and Henry Priestman, after a short period with Bette Bright & the Illuminations, then went on to join (if briefly) It's Immaterial (before Wah! and, later The Christians). The three piece line-up was completed by Paul Barlow (drums, later Wah!) and Julian Scott (bass), with Martin Dempsey occasionally assisting.
The band first vinyl release was in July 1980: the single ‘Young Man’

Young Man (Seeks An Interesting Job) (July 1980)
a. Young Man (Seeks An Interesting Job)
b. Doosha

The single – echoing the Yachts and Wah! Heat – was to be followed by a couple of single releases in 1981:

A Gigantic Raft (in the Philippines) (July 1981)
a. A Gigantic Raft (in the Philippines)
b. No Place For A Prompter

Imitate the Worm (November 1981)
a. Imitate the Worm
b. The Worm Turns

The same month (11 Nov. 1981), Campbell, Whitehead, Priestman, Scott and Barlow recorded their first Peel Session (performing their recent signles Gigantic Raft, Imitate the Worm, plus what was to be their next single White Man’s Hut, and an unreleased track, Rake). In July 1982 the same line-up minus Scott recorded another Peel session with songs, three of which never to appear on any other official recordings (Huzah Huzah Physic Stick, Life's My Favourite Instinct, Speak and Washing The Air – then appeared on the b-side of the 1985 single Ed's Funky Diner) . In October 1983, almost two years after its first performance on the first Peel’s show, the band released White Man’s Hut their fourth single.

White Man’s Hut (October 1983)
a. White Man’s Hut
b. The Worm Turns

By this time, Barrow and Priestman officially left the band to join Wah! – but kept collaborating with the band – and It's Immaterial became a duo backed by session musicians In November of the same year the band cut the third Peel session, recording both tracks from their current single plus a couple of unreleased tracks (Let's Murder The Moonshine and Challo),and a few months later, in February 1984, they released their last single before setting to plan a much-awaited LP. The main track was a re-working of their 1981 single A Gigantic Raft (in the Philippines).

A Gigantic Raft (in the Philippines) / The Mermaid (February 1984).
a. A Gigantic Raft (in the Philippines) (Tempest Mix)
b. The Mermaid

early recordings (1980-1984)

The Royal Family and the Poor - Part 2 (1982-1984)

After Keane and McDonald parted ways, the former carried on alone, first under the name of The Legend Agency, then as The Project. In 1982 (May-June), the one-man-act plus backing tapes did a tour of Britain supporting the China Crisis, with whose help and support (especially of Gary Daley – a.k.a. Gary Daly – singer), Keane started recording new material, namely the Dawn Song and I Love You (aka Restrained In A Moment). In 1983, through Eddie Lundon of China Crisis (guitar), Keane got in contact with Matt Johnson (The The) with whom he cut other two songs, Moonfish Is Here and the Motherland, but, once again nothing came of it, and a disillusioned (and lost in heroin addiction) Keane decided to retire from the music scene. It was only towards the beginning of 1984 that Keane, motivated by Factory Records, decided to give music another go, put together a new version of The Royal Family – adding to the line-up violinist John Neesham (ex Mel-o-Tones) and keyboard player Lita Hira (ex Stockholm Monsters) – and cut a bunch of other songs, with Peter Hook (New Order) producing, whose imprint is as easily recognizeable in the hyper technological drum and rhythmic programming. Temple Of The 13th Tribe appeared in November 1984 as FACT 95 gathering the new songs and earlier compositions (those penned in collaboration with Daley and Johnson), with Keane-designed artwork and a free booklet of texts and images.


Temple Of The 13th Tribe (Phase One) (1984)

1. I Love You (Restrained In A Moment)
2. Voices
3. Moonfish Is Here
4. Dark And Light
5. Radio Egypt
6. Discipline
7. The Dawn Song
8. Ritual 1
9. Power Of Will
10. Motherland
Temple